And Now a Word From the FuckAbility™ Research Council’s Behind the Trailer on Apple TV’s “SEE”

Photo of an abandoned, beat-up trailer in a wooded area The FuckAbility TM Research Council Presents BEHIND THE TRAILER Copyright 2019 Tales From the Crip

Welcome to Behind the Trailer, where we at the FuckAbility™ Research Council tiptoe into the seriously shady trailers of movies and tv shows to explore whether you’d want to waste more than three minutes on them.

First up – the trailer for SEE, an all-caps Alec-Baldwin-free Apple TV series about being blind while doing some post-apocalyptic camping. The premise: The world’s been destroyed and nobody can SEE but blind actors still aren’t getting cast even in roles for characters who can’t SEE.

On the plus side, Jason Momoa is back in his finest Kal Drogo kit and there’s some lovely styling of rustic interiors that may push me into finally buying a fake-fur throw for our futon couch. Also: Good to see actors of color in lead roles. Continue reading

TryHarder™ Magazine: The Disability Etiquette Issue Featuring the Dowager Crippess From Downwith Ableism

TryHarder™ Magazine: The Magazine for People Who Need to Try Harder, 2 cents

Issue No. 5: The Disability Etiquette Issue

In which Mx. Crip-Manners is most grateful for any etiquette-related #CripTips the Dowager Crippess of Downwith Ableism might care to offer

Gif from Downton Abbey of the Dowager Countess in full evening regalia, stamping her cane for emphasis.

“My dear, if punctuality is the courtesy of kings, then access is the etiquette of ableds.”


 What is a ‘forgetting of the access’?

2 cents symbolEtiquette is so inextricably bound to access that I cannot countenance this notion of ‘disability etiquette’. Disabled people do not require ‘special’ manners.
There is nothing remarkable about courtesy, except regarding the lack of it many disabled people encounter. I have never understood how any well-intentioned host could ‘forget’ to offer a navigable entrance to guests.  We do not ‘forget’ to offer our guests chairs, for example, do we? Why, imagine it – it would be like one of those exceedingly tedious ‘cocktail’ parties where one is forced to stand as if one is in the court of Louis XIV. 

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And Now a Word From the FuckAbility™ Research Council on the Film The Favourite

If You Don’t Care for Satire, Beware of This Greek Director Filming Rabbits

The Verdict: The Favourite is full of shitty people, shitty behavior, and shit. It is a magnificent film about that most favored form of disability: crippling whilst posh. It centers a disabled woman fucking and then fucks with your head about disabled women fucking. So. It’s complex. It portrays a disabled woman being sexual and a jackhole. Also: I laughed. A lot.

(The 18th Century; The Court of Queen Anne But Not Really) If you took Tony Richardson’s Tom Jones, and Kubrick’s Dr. Strangelove, shoved them into Watership Down with any of John Waters’s pre-Hairspray films, the surviving film that hopped out might be Yorgos Lanthimos’ The Favourite.


Christ on a cracker, the FuckAbility™ Research Council hates being serious but needs must on the issue of casting and representation. Olivia Colman has a disability history that is, in fact, relevant to her role in The Favourite. Ruling that she’s not disabled enough, or has the wrong disabilities to qualify her for the role, reduces us to our diagnoses — something we have long fought against.

Bawdy without any ameliorating jolliness, The Favourite has an essential meatiness that’s mostly missing from the lives of bodies on the mainstream screen, including physically disabled, ill, or aging bodies. It got to me. The night after I watched it, I had a dream that I went to use the toilet and found I had shit smeared all under my clothes. When I woke up I knew it was because the reeking sensibility of The Favourite had made a powerful impression on me.
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And Now a Word from the FuckAbility™ Research Council: RJ Mitte In as Presenter at the Palme d’Visage Awards

RJ Mitte Will Present at the 2019 Palme d’Visage Awards, Signaling That The Upside Will Win Most Condescending

Matt Damon, Master of Diversity, Hails RJ Mitte’s Commitment to Avoiding Discussion About The Upside‘s Discriminatory Casting Practices and His Unstinting Support for the Status Quo That Blocks Disabled Actors From Competing for Roles

(Battlecreek, MI) NoVariety announced today that RJ Mitte will present the inaugural “RJ Mitte Award for Most Half-Assed Casting in a Film Depicting a Disabled Character.” Emma Stone will portray RJ Mitte at the March awards ceremony in beautiful downtown Switzerland now that Jennifer Lawrence, who had been a lock, became uncastable after a recent injury left her with difficulty walking.


“I can’t imagine a situation where I’d tell Bryan — who’s been like a father to me — that, while I know he cares about me and wants to help me, I can’t let him use that as an excuse for a business decision that hurts others.”

Mitte has been vocal on social media about his support of Bryan Cranston’s casting in The Upside. “Disability stories need to be told and films like this wouldn’t be made without a star like Bryan Cranston. Conflicting messages about inclusion that reach as many people as we can are how we change mindsets and remove the stigmas around disabilities.  As a disabled actor, I am proud of his performance in The Upside and I can’t wait to see Emma Stone’s portrayal of me presenting him with the award.” Continue reading

TryHarder™ Magazine: The So You Wanna Use the R-Word for Comedic Effect Issue

TryHarder™ Magazine: The Magazine for People Who Need to Try Harder, 2 centsIssue No. 4: The It’s Not Just That You Used a Slur, It’s That You Doubled-Down on Your Offensive Language Edition

In which The Crip responds to a Daily Kos writer’s post and subsequent comments America’s Next Top Jackhole, Louis CK, who ordinarily one would have thought came from was Republican author, given the writer’s intransigence to making a change that was so easy, obvious, and respectful. would shut the fuck up, in general, and definitely about disabled people, in particular.

The Top 5 Reasons Why Everyone (Me) Knows You Never Use the R-Word in a Careless and Lazy Fashion and Also Just Don’t Use It

1. Presumably, you want people to respond to the actual topic of your article, which you’ll notice I’m not doing.

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And Now a Word from the FuckAbility™ Research Council on “The Upside”: For Your Condescension

A photo of a janky wheelchair overlaid with: FOR YOUR CONDESCENION, When it comes to the 2019 Palme d'Visage Award for "Most Half-Assed Casting in a Film Depicting a Disabled Character," the Choice is Clear....THE WHEELCHAIR in The Upside © 2019 talesfromthecrip.org

Going to see The Upside?

Don’t miss an opportunity to share your feelings about the film’s bold casting decisions. #CastBoldly

Print the graphic above and hand it out at the theater!

Sample messages for sharing your excitement:

Access icon in blue and white“I haven’t seen such bold half-assed casting like this since last year’s Palme d’Visage winner gave us A Pair of Raybans as the lead in Blind: Based on a Mall Store Called The Sun-Glass Hut by The Food Court.”

Access icon in blue and white“Do you think Streep could do what The Wheelchair did: Cradle Cranston’s ass while wordlessly conveying every stereotypical cliche about living with a disability? I scoff at that!”

Access icon in blue and whiteMatt Damon said it was okay!”

See you in beautiful downtown Switzerland in March for the Palme d’Visage Awards!


FuckAbility™ Research Council (FARC) is a piece of letterhead housed on the Tales From the Crip website. FARC’s mission is to raise awareness of hollywood’s lack of awareness that many disabled adults fuck in groups of one or more. All views expressed are subject to change and denial.

HEY! YOU! MEDIA! An Inconvenient Truth About Why Casting is a Problem in “The Upside”

The inconvenient truth about The Upside is that its misguided casting is based in a biased business decision, not creative expression.

As in Me Before YouBreathe,  and He Won’t Get Far on FootThe Upside failed to cast a wheelchair-using actor and instead chose Bryan Cranston, who does not have a visible disability.  Admittedly, I hadn’t expected Cranston to have actually been “the one who knocks” in his own life when he played the role of a drug dealer. But I am critical of him deciding to take the role of a recently disabled man — and, more importantly, I’m critical of how systems protected him from having to face serious competition from wheelchair-using actors.

Cranston recently defended his choice, saying it was a “business decision.” Disabled actors make business decisions, too. But their’s are too often, “I gotta eat and pay rent so I’ve decided to give up on the business that won’t audition, much less hire, me – not even to play a disabled character.” 

Cranston, and many others, scoff at disabled people’s criticism, saying that movies are a commercial venture and that, moreover, disability is just another fictional experience to portray. Actors act, after all…unless the actor has a visible disability, in which case their talent could never sway an audience — or a producer.

Muddling these arguments together is a mistake. The first is about business practices and the second is about creative expression. For actors, creative expression requires industry access — and that’s why casting norms need to change before debates about representation and creative expression can be anything but theoretical.


If the industry is going to limit nearly all physically disabled actors to roles defined by physical disability, non disabled actors shouldn’t be surprised when there’s anger at seeing those roles lost to actors who are not physically disabled. If only 2% of roles are disabled characters, to begin with, and 95% are played by actors without disabilities, that’s a systemic employment barrier.


Creative expression has different bases. Some of us experience disability as an event that affects our lives and some experience it as a component of our identity. Many of us experience both. Continue reading