Mr Ableism Proposes to Dispose of Miss Cripple Using the Sarco Death Pod


deathstyles of the rich & abled, MALE-PATTERN BS, REGENCY CRIP LIT

It is a truth universally acknowledged that a woman in possession of a neurodegenerative disease must be in want of an early death.

My dear Miss Cripple,
Illustration from Pride and aPrejudice with a standing Mr. Darcy and a seated Lizzie. Illustration now has Mr. Darcy offering a Sarco Death Pod and Lizzy sitting in a manual wheelchair,

Mr Abled’s proposal so enraged her that she could only reply, “You first, sir” when he presented her with a  Sarco Death Pod of betrothal.

Madam, in vain I have struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I pity you and plead you to accept my assistance  in hastening your death using the Sarco Death Pod on its Delicates & Gentlewomen setting.

In declaring myself thus, I am fully aware that I will be going expressly against the notion of a healthcare system that prioritizes people over profit, the rights of  many people with disabilities, and, I hardly need add, my own better judgment.

But, as you may have heard, “civil rights” for unfortunates such as yourself are now largely reserved for your demise.  Particularly when a gentleman such as your father has five daughters and only a small income. How may such as he afford to see your sisters wed if you and your costly care refuse to be dead? Continue reading

Crips Are Dying to Save You Money With Easy Weeknight Euthanasia Policy


deathstyles of the rich & abled, end-of-life merch

An old promotional graphic for the program, Lifestyles of the Rich and Famous With Robin Leach that’s been altered to read, Deathstyles of the Rich and Abled With Robbin’ Leech. Art: Gold logo of The Deathstyles of the Rich and Abled with Robbin’ Leech against a black background. To the right is a doctored photo of Robin Leach in what can only be described as a casual tuxedo look, and holding a glass of champagne next to a table with a bottle of bubbly and a bowl of caviar with a tiered cake in the background and a huge bunch of flowers. Layered on top of Robbin’s face is a cutout of Marty Feldman’s face and a separate cutout of a filthy captain’s hat on top. There are about six flies buzzing about the whole graphic. Text: Two signs are on the wall. The gold one reads VIP RIP “End-of-Life Options & You” in Penthouse. Right below that is a dingy sign reading, No Elevator To Penthouse Stairs Only. Layered on Robbin’ is a bright yellow star-shaped quote, “It’s Champagne lifetimes and caviar deaths here on Deathstyles of the Rich and Abled!”AS SEEN ON NOT DEAD YET! [Editor’s Note: The article below does cut off abruptly. While it’s true that we couldn’t afford the editing to help it continue, this in no way implies that the cut-off was anything but the article’s choice to avoid the indignity of ending “like that.”]

Image Description: An excerpt from one of Cost Illustrated’s articles: “Easy Weeknight Euthanasia Policy With Pomegranate and Baked Meats.” This is a satirical article about how ableist public policy and the Sarco work together. It spoofs the real magazine’s test-kitchen narrative style and format.

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Mortha Stewart Is Serving Up Romance In Philip Nitschke’s Sarco Death Pod


deathstyles of the rich & abled, end-of-life merch, male-pattern bs

“All I had left to do was reposition my newly lifeless rival in the Sarco Death Pod (now available in Careless Whisper Red) as if she were a peaceful brisket nestled in a crock-pot, and it was set-it-and-forget-it time while plausible deniability downloaded into my beloved’s shattered consciousness.”
A parody cover of Martha Stewart Living magazine called Martha Stewart Dying. Please scroll all the way down for the full alt-text description of this image.

mortha’s dark forces                                                            jan/feb 2023

a rage room of one’s own

Martha Stewart smiling and sitting at a cluttered craft desk surrounded by materialsToday I’m going to teach you how Philip Nitschke’s wonderful Sarco Death Pod can remove a love rival from your life without leaving a hole that anyone will notice. There are people you so look forward to sending to hell and I want to share with you how I achieved one of my most very special triumphs. It’s a love letter, straight from my heart.
A project like this always starts in my rage room, where I do all my planning and keep all of my tools neatly organized. My favorite tool by far for eliminating the unwanted is Philip Nitschke’s Sarco Death Pod. A true multi-tasker, the Sarco can go from ending a life, to storing the body, to being server-ware that you’re proud to display your loved one in at the viewing.
I trust that the dying process inside the Sarco Death Pod is not only painless but euphoric because it’s still-animate creator, Philip Nitschke, says that it is. He knows because there is not a single negative review on Yelp from people who have used the Sarco Death Pod. Not one person has complained that their Sarco didn’t cause them to die by asphyxiation in around five minutes. Give or take a few last moments that – fingers crossed! – weren’t the mother of all nightmares in your oxygen-deprived consciousness. But you’ll look peaceful on the outside!
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My FEDup™Rant: I Adjusted to Wearing a Face-Mask By Wearing a Face-Mask

FED UP TM Ideas worth ranting about

I’m FEDup with people saying they can’t adjust to wearing masks even though they help protect lives during a pandemic.

If you have access to a mask but won’t wear it, take a #CripTip: Shift your narrative from, “I CAN’T ADJUST!” to “I will adjust and it will take time.”

I get it. Masks feel strange and uncomfortable. But unless you’re one of the relatively few who truly cannot physically tolerate wearing a mask, face shield, or other face covering, it’s not about whether you can. It’s about whether you want to.

Since you presumably want to save lives during a pandemic, the first step is dealing with what you’re telling yourself about wearing a mask and then, as needed, unpacking that typically messy box where emotions and physical feelings are stored in a jumble.

Note: I’m not addressing this to the, “But I shouldn’t HAVE to wear a mask and I won’t!” crowd. I have many skills but Fixing Selfish Magical Thinking isn’t one of them.

Ingrid wearing a colorful cloth face-mask, sitting next to a fuschia orchid

Photo credit: Christopher Egusa

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I Remember This: I Am Thirteen and in the Recovery Room After Spinal Fusion Surgery

Cover of Mythology by Edith HamiltonYou are flat on your back under a glaring light. The bed is hard. It hurts. You don’t move because it doesn’t occur to you to do so, it’s so far beyond you. Each part of you that registers – reports in, so to speak – registers through pain. You body is mapped as a topography of pain. No face or distinguishing characteristics. You are a ground-colored shape dotted with points of glaring, popping pain. Where your head aches on the stone-stab mattress, where the gravel of the sheet is under your arms, where it rasps all along the tube that snakes down your throat, to an unidentifiable pressure on your front, low down.
Your back. Oh. Your back is a barely contained thorn patch in a mad stabber’s arsenal.
You’re not alone. There are voices, professional ones. But no one is talking to you.
There is a nurse above you, meeting your eyes. Her head blocks the light. “You’re awake,” she says. “You’re in the recovery room.”
You make a sound. It sounds dreadful. The first sound Frankenstein made on his slab. The thought of the monster brings back your past, all there was before this light, this slab, this pain. And the face in your reunion with memory itself is: Gene Wilder in Young Frankenstein.
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