An Appreciation: Ursula Le Guin, 1929-2018

I am so, so lucky to have known Ursula Le Guin at all, let alone to have had that brief time take place at Flight of the Mind writing workshops, where she taught, talked, argued, drummed (on the night of the summer solstice, no less) and listened deeply to every woman reading their work in front of the big stone fireplace. Maybe it’s the deep green leaves along the McKenzie River in Oregon but, in my mind’s eye, I see her standing under trees.  Well, she was like a great big tree. She was THERE.

A cobalt blue glass mug with 2 white birds in flight and The Flight of the Mind

A beautiful translucent blue glass mug that says, “Flight Of The Mind” with two birds in flight. A tangible reminder of a women’s writing community Ursula Le Guin helped build.

I have a memory that I almost didn’t include here because it seemed so small. But I realized it wasn’t small to me. I’ve kept it for 20 years. I had mentioned to Ursula that I couldn’t figure out what it was I was working on but I didn’t think of it as science fiction — like her work. That got me The Eye and a peppery remark that she didn’t like labels. I was writing? Good.  Keep doing it. After I read the I-don’t-know-what-this story in the evening to our little community, Ursula rushed up to me, took me by the shoulders and said, “No, you don’t write science fiction! You write Ingrid fiction! That’s MUCH stranger!” I think she blew my hair back like a fierce but friendly wind. Who helped grow my strangeness, welcomed me into The Land of Odd? I’m grateful to say: Ursula Le Guin. 

I didn’t write this for her but it’ll do:

XII

Their flowering quince is a delicate tree and lives alone as all trees do or seem to. It is time that brings a tree to the others. It happens underneath and overhead, water and light wake leaves again and again to color and begin the bending, the bowing, to the others still at a distance but coming closer as the years pass; deeper roots find common water and the branches, of whatever sort, pass the time with their leaves breathing, gossiping, nudging, colliding, sometimes crowding those within their reach — the smaller, the weaker, which every tree has been and will be again — but just as often standing shelter, giving refuge because it needs refuge before the inevitable fall to the dry, the deluge, the storm.

B/w photo of Ursula Le Guin

Courtesy New York Times

Sorrow, Bright-Eyed Now, After Meeting Her Death

for Belma González
I

BIPAPSTWhen Gretchen landed in the hospital again with pneumonia in 1993 she learned she had something called sleep apnea, plus chronic respiratory failure and minor heart damage that she, only 27, could expect to heal with proper treatment. At the first Wednesday morning meeting following her return to work a few weeks later, the West-Hesperidan women’s free clinic staff apologized to her. Even with her cane, Gretchen couldn’t stand long enough for fourteen women to express remorse so everyone stayed seated instead of making a circle around her. The gist was that while they knew Gretchen had muscular dystrophy, they still hadn’t thought of her “like that.” They said they were sorry for not respecting that Gretchen had a disability and for assuming that she had been lazy and napping at her desk when she was, in fact, semi-conscious and unconscious, depending on the time of day.

Continue reading

Announcing #ADA26 as The Year of #SassingBack, #CripLit-Style

 

Parody People magazine cover announcing NotPeople's Rationalest Man Alive! Peter Singer

Unlike Melania Trump, Tales From the Crip plagiarizes only its own material. In honor of the Americans with Disabilities Act’s 26th anniversary, TFtC is kicking off The Year of Sassing Back, #CripLit-Style by offering this gently-used excerpt from our first — and only! — NotPeople Magazine’s Imaginary Interviews With People Who We Wish Were Imaginary. Our own Respironics Bi-Pap S/T sat down with philosopher Dr. Peter Singer, Princeton’s Ira W. DeCamp Professor of Bioethics, whose anti-crip, pro-swine agenda argues that infanticide of babies with disabilities should be legal up until the 28th day after birth, that health care for people with disabilities should be rationed, and that the consciousness of some pigs doesn’t get enough respect. Happy ADA26! We’re not dead yet!

On the Love Secrets of the Utilitarian!

RBPS/T: Isn’t “No Rules, Just Rights” pretty much the mating call of the utilitarian?

PS: “If it feels good, do it,” is a much more rational mating call.

RBPS/T: What’s a common way for a utilitarian to get friend-zoned?

PS: A utilitarian could help a hot girl move and then she gets back together with her bass-player ex. Who’s a contemporary Continental phenomenologist.

RBPS/T: That sounds…nonhypothetical. And gender-biased. But hey, you are a philosopher.

PS: JUST BECAUSE WE’RE UTILITARIANS DOESN’T MEAN WE LIKE BEING USED.

RBPS/T: Hypothetically.

PS: It was a long time ago. I am completely and 110% over it. My happiness has never been more maximized. A random person might see me on this cover and think, “Wow, he is totally living the life he said he would and here I am, possibly married to but probably long-since-dumped by an untalented string player who distracted me from what my life could have been, and if something tragic happens like I get so horribly disfigured in an accident that I need expensive but ultimately futile treatments or I have an adorable but super sick baby — which wouldn’t be so unlikely if the weak genes of a contemporary Continental phenomenologist were involved in the uterine brew — I will most definitely not want societal resources wasted on prolonging our now-useless lives that are almost entirely composed of suffering moments that don’t include one single glimpse much less the infinitely tender touch of the brilliant moral pragmatist — pragmatic moralist? — I should have appreciated and who I secretly dream of providing me with his personal care and support at no cost to the public or to his individual liberty.” SHOW ME ONE TENURED “ARTIST,” SHEILA!

RBPS/T: No projection there.

PS: What’s projection?

#CripLit Excerpt from “The Copier God Unleashes the Flood Waters”

Another Excerpt From There's No Cure for Gretchen Lowe a novelAs the West-Hesperidan Free Clinic’s Administrative Manager, Gretchen was the closest thing they had to fundraising staff now that their Director was on stress leave. She was supposed to represent the clinic at these house party things but here she was wandering on the edges, again, frankly worn out just from hauling herself in the door. Here was a question: Why does philanthropy so often require climbing stairs?

Continue reading

Imagination and Empathy in the Age of Story-tellers With Disabilities

Crip Lit, Entertain. Don't explain. www.talesfromthecrip.orgWhat is it like to live with a disability? What do I want other people — younger people — to know? What do I see ahead? What are the ethical boundaries for telling other people’s stories?

These are some of the excellent questions posed by DearJulianna, #CrippingtheMighty, and #TheFutureIsDisabled. (Carrie Ann Lucas’s blog post currently carries the coveted — by me — title of, The Blog Post I Love Because It’s So Well-Written I No Longer Feel Like I Need to Take On This Difficult Topic Until I Want To.) People with disabilities are writing, reading, producing, performing, and arguing like nothing I’ve witnessed in 50 years. It’s wonderful and it makes me want to hide out under a blanket for a while and just let my mind wander.

When I can get enough mind-wandering time clocked, I work through stories that are the made-up kind: fiction. They’re stories that are “about” my life the way jambalaya is “about” sausage, rice, and a whole bunch of other stuff. I can’t seem to tell the truth without lying, which is “fiction” in a nutshell and why Hermes, that liar (and inventor of lyres), is the god of storytelling.

In terms of privacy, even badly written fiction is different from posting a detailed or disparaging description of your child who has a disability. But in thinking about who gets to write about who, and how, and why, I remembered a problem I’d had with conveying certain information about my main character, an adult woman with a disability. Me! Not me!

Continue reading